DANSEM, Marseille, Fr. Nov. 24-25, 2017

We Wait In The Darkness
November 24th & 25th, 2017
DANSEM, Marseille, France
“Recent scientific study verifies what many Native people have always known, that traumatic events in our ancestors lives are in our bodies, blood and bones. These events leave molecular scars adhering to our DNA. Our grandmother’s tragic childhood can trigger depression or anxiety in us, but we have the ability to heal these DNA encodings and change that trait for future generations.
We Wait In The Darkness is an art/dance work to heal the DNA scars of Simas’ grandmother, her mother, and our ancestors.
Within in an environment of images and sounds from Seneca lands, this new dance work engages past and future, DNA memory, and invisible presences, to create a personal artwork about loss, family, perseverance, and home.
“The Seneca people are matrilineal. We get our identity, our clan, and our inheritance from our mother, her mother, and her mother’s mother. The knowing of these ties is an essential part of belonging for all Haudenosaunee people.” – Rosy Simas
Choreographed and performed by: Rosy Simas
Original music composition: François Richomme
Letter reader: Laura Waterman Wittstock (Rosy’s mother)
Letters: Clarinda Waterman (Rosy’s grandmother)
Original lighting design: Karin Olson
Second lighting design: Carolyn Wong
Set design: Rosy Simas with contributions from Steven Carlino and François Richomme
Film: Rosy Simas with contributions from Douglas Beasley
Akso:d means grandmother: the making of We Wait in the Darkness
Dance Research Journal Volume 48, Number 1, April 2016 pp. 29-32

This engagement of We Wait In The Darkness is supported by Mid Atlantic Arts Foundation through USArtists International in partnership with the National Endowment for the Arts and the Andrew W. Mellon Foundation. And the French-US Exchange in Dance, a program of the New England Foundation for the Arts’ National Dance Project; the Cultural Services of the French Embassy in the United States; and FACE Foundation, with lead funding from the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, the Florence Gould Foundation, and the French Ministry of Culture and Communication.
For creation credits see We Wait In The Darkness main page

• 11/05/2017

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